Three's a Cloud
By Brian Aldiss

JUST BY
ACCIDENT, Clemperer
had shaved when he got up at
Clemperer knew nobody at
Karpenkario's place. That was its attraction for him. He was alone in the world and he knew it. He hated the bars
full of false friendship, where acquaintances who had seen him only half a dozen times
before in their lives, slapped his back and cried, "Come on, old pal,
haven't seen you in a long time; how about a drink?" Equally, Clemperer hated loneliness. But at least
loneliness was clean and honourable.
He bought a double whisky at the
bar. He had already downed four elsewhere. Instead of drinking where the other people were drinking, he
carried the glass with him, pushing-through the crowd, which consisted mainly of sailors, and made for the quiet
restaurant behind. The air was clearer here, reminding Clemperer of his stale old wisecrack about his not
being able to see unless the atmosphere was full of cigarette smoke.
Only one of the restaurant tables
was occupied. A man and woman, strangers to Clemperer, sat at it.
That was the beginning of
everything. Clemperer did what he never did: he went and
sat down with the man and the woman, instead of choosing an empty table.
"You might like a look at the menu," the man said, handing film over a typed sheet
smilingly. "Fortunately the food here is better than the typing."
It did not hit Clemperer all at
once, because he was partially drunk, but the sensation he felt was as if he had arrived home. That was odd: Clemperer had no home. Four years earlier, on his
fortieth birthday, he had flung up the bachelor flat he had hitherto called
home, and the Motivation Research job
which paid for it, and had gone out into the
world, wandering from town to town in
search of what he privately called his destiny.
He raised the whisky, paused, lowered it again, setting the glass with ponderous care on to the table.
"Your coffee sounds
good," he told the girl. "I must have a cup. It'll help to clear my
head."
He had meant to say "smells
good", not "sounds good". It was the sort of slight verbal slip he often caught himself making, much to
his annoyance. In this case, it rudely
implied that the girl was drinking noisily; yet by her smile she appeared to
have grasped his real meaning. How seldom you found anyone like that, Clemperer reflected.
He ordered
a big jug of coffee, offering the others a cup, which they both accepted.
Meanwhile,
he looked them over carefully. There was nothing extraordinary about
them. They looked faintly unhappy. One sat one side of the table, one the other,
and their
hands met on the polished oak. The man was about Clemperer's
age, but better preserved, obviously more prosperous. He looked as if he might still have a
hope.
Behind his spectacles, his grey eyes held a wealth of friendliness.
The girl
was more striking. She was not pretty, but neat enough to be very attractive.
At a guess she was twenty-one. Her dark hair was short, without curl, while in her long, squaw face was set a
pair of the darkest, saddest eyes Clemperer had ever encountered. In her was some unguessable grief, as thick
as fog - yet now she was happy.
At some
time, then or later, he found their names were Spring
and
It occurred
to him that he might offer some sort of apology for sitting down at their
table without invitation, little as that apology seemed needed. When he spoke, his diffident tongue again betrayed him.
"I
didn't mean to intrude," he said, "I know very well that three's a cloud."
They took it as a trouvaille.
"There you have it,"
"C.f. a cloud of unknowing," Spring said, "floating along in a mystery."
"I really meant to say `cloud'," Clemperer
admitted, making his slip again. Then he
gave up. Perhaps the dark side of his
mind knew best; perhaps he really had intended to say "cloud".
From the Greek waiter, he
ordered a dish of Arab Kuftides, with spaghetti and chile sauce. It
was not the kind of thing Clemperer usually did; he rarely ate after midday-it was just throwing good
food away on a bad ulcer. His current theory was to try and drown the damned thing in alcohol.
That reminded him about the
untouched whisky; he called the waiter and got it taken away.
"I'm sorry if I smell of
whisky," he said. "Once you start drinking whisky you smell of it all through.
I'll sober up
soon."
"There's no hurry," Spring
said.
Spring did not speak much. He did not eat much, though occasionally he stirred
the dish before him with his fork.
"They're odd people",
Clemperer thought, feeling once more that warm sensation of being home. He had been aware of his own oddity for
too long.
"Drinking's only a way of trying to get under the normal hard surface of
loving," he said apologetically. He had intended to say "living", not "loving", but
again he sensed they both understood what
he meant. "Some people only know
that way of doing it. What I mean is, you can go right through life without really becoming intimate with another person, without really
touching their identity with your
identity-true identity. When you're stewed in drink, you at least swamp
yourself in your own identity, and then you
don't need anyone else so much."
And he thought in startlement, "Why the hell am I talking this sort of stuff? I've
never talked like this to anyone, never mind to complete ____________ ". But he could not bring himself to think the word "strangers".
Whatever they were, they weren't strangers,
not now he had once met them.
"When you're drunk or when
you're dead you don't need anyone so much,"
"If people would only consciously realize
it," Spring said,
"that's all anyone spends their life doing: looking for the right person to reveal their identity
to."
"It's a hard search
always," the girl went on, looking at Spring.
"The compensation is that when you find that kind of person, you know. Nobody need say a thing. It just feels right."
"I'm really intruding on you
true," Clemperer protested, not that he felt that way at all inside. His tongue had turned "two" into
"true".
"You know you're not,"
Spring and
"I'm forty-four,"
Clemperer said, smiling wearily; "I've grown out of the habit."
To his mild horror, he began
telling them the whole story of his life. It was an ordinary enough tale, at
least until the
revolutionary moment four years ago, when he had entirely broken with his old
way of life: a tale of continuous inner discontent.
Clemperer could not stop it; it all came bubbling out, and the grey eyes and the great black ones listened
carefully to every word.
At last he
finished. The uneaten remnants of his meal had grown cold;
"I don't know why I tell you
all this," he murmured.
"Because
now you tell us,"
"You're
right!" Clemperer exclaimed. "AII my past has been heading towards this moment, this moment of revelation ... thus puts a meaning to it...."
For so much else he wished to say,
he could uncover no words. He saw them all as icebergs floating on a great sea; the sea was. .. being, having, knowing; and under all his new happiness ran a river
connecting him with them. A vast restlessness overcame him. He wanted to run, sing, wave
his arms. Here at last was a moment for which to celebrate and be alive in every cell.
"Let's go outside," Spring suggested. "Every so often I have to air my sinuses."
"That's what I was going to
say," Clemperer exclaimed.
"Of course," Spring said, laughing. "It's nice to have someone to do
these little things for you, eh?"
They pushed their way out into the
night. A bluff summer wind blew along the sea front. The clustered dinghies rocked contentedly by
the jetty. All along the harbour wall, the sea cast up its spray
at the feet of the white lamp standards.
Clemperer seemed to experience
neither the night nor the gale.
"I've got it" he
exclaimed suddenly. "It's a gestalt! We're a gestalt! You know what I mean-the whole we
represent
is something greater than the sum of our parts. We've combined, and something has
happened beyond us."
They looked at him curiously. For
the first time, he had surprised them, filling their countenances with wonder. All three were conscious
of saying many things in silence.
"We -Alice and I- thought we
were complete until you arrived," Spring said gravely.
"Directly you turned up, we realized that was not so. You are a vital part of whatever it is.
You'd better try and explain your contribution."
He was so happyl He was not
just the junior partner they were allowing to accompany them. They were
equals: his share was one third.
"Let me tell you this first of all," he
began, "although you being you, it may not need saying. Usually-in fact,
up till this very evening-I was never the sort of person you are now seeing. A
lot of people are different in the company of different people, but now I'm
really different. Usually, I hate people-if a man or woman becomes my friend,
they do it the hard way, the barriers have to go down one by one, and there are
lots of barriers. You two by-passed all of them, somehow.
And another thing, at this time of night, the acute pain-joy of living flares
up in me...."
"We're all Night People here,"
" .. and so I generally arrange
to be well stewed by now, to keep the voices out. Usually I have an odd
impediment in my speech, sort of a Freudian slip, which has now completely left
me, as if my old brain cogs have got their teeth back in. I have stopped saying
the wrong words - I've found locks I want my keys to fit. Then, for another
thing, I heartily distrust mysticism, emotion or any such clack as I-we-are now
talking. It's suddenly no longer clack; it's the one real thing I've ever
known, to be walking here with you."
"Of course you're
surprised," Spring said. "It is surprising.
It's staggering! When it first happened to Alice and me, we thought it was just
love. (Why that 'just'?) Now you come along and prove it's something more
again."
"... as
we had begun to suspect,"
"I've never been content
because I've only just stumbled on you," Clemperer said. "Maybe all discontented persons in the world are
just waiting for their Stumbling Time. . . . I can feel-I can feel that we three are a big thing, bigger than three people; we
are in some way
aloof from time and space. As you said, this meeting has had the power to
alter my past; probably It can alter our future, too. This thing has never been described. It's not telepathy, for instance,
although feeling alike we shall
obviously think along similar lines. It's
not a menage a trois or what's usually implied by the term, although basic sexuality may provide
some of the binding force. If it has
been found before, the finders have kept quiet about it. We are treading
what is virtually a new trail, an unbeaten track. We can't know where it leads ... until we arrive."
He went on talking, elucidating for
the benefit of all, carried away by his vision. As they strolled along the windy front, the lights overhead
seemed to float by like suns, each
casting its starlight slowly on their faces.
At last Clemperer broke off.
"It's very late," he said,
suddenly apologetic again. "You know it's amazing how I seem to know all the important things about the two of
you, but none of the trivial ones which everyone sets such store by. Don't you want to get home or something now?"
"We be
but poor holiday-makers, sire," Spring said, with an odd mock-lightness.
"Our homes are far apart."
He pointed over the dark sea,
where a yacht lay at anchor, its
lights rocking gently with the swell.
"See the yacht? Our berths
are there. Alice and I only met because a mutual friend-the owner of the yacht invited us for a cruise round
the coast with several other people. I think we will stay ashore tonight; we can board first thing in the
morning; they won't worry about us ... and someone there will look after my wife."
Those last few quietly spoken
words told Clemperer everything
he needed to know about the pool of sorrow in
"Karpenkario's stays open
all night," Clemperer said simply.
They walked back in silence, a
weird, loud silence which felt more important than all the talk. Occasionally,
At Karpenkario's, they managed to get a small back room. It contained a card table,
chairs, and litter on the floor; but it was better than going back to Clemperer's room. He had deliberately not suggested that. A vision
of its
unmade bed, the empty whisky bottles peering blindly from the ever-open
wardrobe, the clothes on the floor, a pat of butter festering on the wash-basin, rose before him, provoking only a sad smile from him. All that belonged to the aimless past. He could no
more have taken
They ordered coffee and began to
talk again. Endless talk,
the river running swift and sure beneath it.
The gestalt became more intense as
the night wore on, till it seemed to envelop them like a collapsed tent, almost smothering them. Outside,
the wind howled and banged down a side passage, sounding dustbins and charging loose doors, lamenting
over rooftops. It grew to symbolize for them the new power lurking just beyond their conscious thresholds, until
it seemed that within themselves there might be a force which could whip away their self-control like
straw-for ever.
They became slightly afraid. But
chiefly they were afraid because they no longer knew what they represented, and their old, safe selves
had been lost eternally on the
"This gestalt,"
"Or what is it able to do
with us?" added Spring.
"Is it a force of good or
evil?" asked Clemperer.
"I think it is beyond good
or evil," the girl said, peering down squaw-faced into the depths of some unimaginable well. "Whatever it
may be, it is beyond all the laws and rules. What's usually called . . . supernatural...."
Now it was as if they were frozen
together. Tired, cold,
vitiated, they sprawled closely across the table, moving no more than the patient alligator which awaits its prey. They looked like bundles of old clothes.
"There's something we-it can
do," Clemperer said. "I can feel it, but I can't define it."
"It's only function is to
bind us always," Spring said, almost sharply, "to hold us
together wherever we are, whatever happens. And what could be more valuable?"
"We are Night People,"
the girl murmured. "At least we can always suffer together."
Then they
spoke no more, and the wind howled without stirring them, scream, scream,
screaming beyond the brick beyond the room beyond their unity. Clemperer was asleep but not asleep: in his mind's corner, he heard their last words repeated over and
over-those words which would later prove so very laden with meaning "We can always
suffer together .... Its function is to bind us always.... Wherever we are, whatever
happens it will hold us together ... always."
Each of them
faded into a portion of the same trance, as dawn malingered in like
moonlight.
She stood
on the quayside with Spring, smudging one last tissue
over her complexion. They had to get back to the yacht; the owner expected
them--he was going to sail round
In the
tension of the moment, Clemperer found himself using conventional phrases of farewell. It did
not matter. Whatever he or they did would
never matter; each would always
understand; their faith was limitless; the
last barriers had gone with the night.
He touched both their cheeks with
his, the greasy ones, the grey, stubbly ones. Contact with them almost choked him. He loved them
infinitely. They were gentle people, understanding, accepting, entirely open to the wounds of the world.
They went
off in the boat. The bully morning air blustered about
He slept.
At five in the afternoon, he woke screaming. A pane of glass in his
window had shattered. He sat up on his frowsty bed, unable to orientate
himself. At first he believed himself drowning. The waters had been pouring over him, lashing his face.
His lungs had been clotted with spray.
Clemperer rose dazedly,
staggering off the bed.
The wind had
smashed his window. Dying at daybreak, the gale had now goaded itself into a
full-size storm, cannonading
in from the sea over the supine town.
Something else was also wrong,
something he felt inside. Clemperer was fully dressed, even to his overcoat. Taking a brief gulp of water from the tap, washing
it round his tired mouth, he hurried
from the house. It was strange not to
wake in a whisky haze, strange to wake to a purpose. Spring and
Hurrying
down the narrow sloping streets, he arrived at the harbour.
Directly he saw the people lining the sea wall, he knew; indeed, he had known before. Everyone stared out to sea, most
silent, some shouting and pointing. As he ran past them, Clemperer caught salty crumbs of talk: a yacht was in difficulties, the
lifeboat was out, the Jedder Current made a rescue
awkward.
He ran up
the long hill to the highest point of the cliffs, running as he had not run
for years, running like one possessed.
From the
top,
But in that
last clear glimpse over the waters, Clemperer had seen the yacht-seen it
heel over and slide beneath the churning surface. The lifeboat was nowhere near it, cut off by an angry race
of green foam that marked the Jedder Current. For anyone aboard
the yacht, there
could have been no hope of life; it had gone down in an instant
"Clemperer !" In his ears he heard their ringing cry as the craft went under, bearing them with it.
Now he was
dead inside, neatly novocained of all sensation. The storm bellowed in his
face, hissed in his ears, but inside him was only silence as wearily he made his way downhill again, slipping and
bumping down regardlessly. He walked in a dream,
shouldering, a passage through the sombre
crowd still waiting by the harbour. Hardly conscious of the direction
he took, Clemperer crossed the road and padded wetly
into Karpenkario's.
Postscript:
The 60’s group, Three’s a Cloud,
so often misspelled was so-named after I read this story. The name seemed to encompass everything that
a good group should aspire to in terms of musical communication and incredibly we
often seemed to achieve that aspiration.